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May 20, 2012

Bruce Lee’s Tao of Jeet June Do: The Expanded Edition (Part 2)

THE NEW EDITION: WHY YOU WANT IT ON YOUR BOOKSHELF

Black Belt Magazine’s expanded edition of Bruce Lee’s  Tao of Jeet Kune Do offers numerous improvements over the original edition:

  • Digitally enhanced hand-drawn illustrations from Bruce Lee’s notebooks make it easier to understand the principles as well as the techniques of JKD.
  • Sidebars offer quotes from Lee that serve to illuminate his philosophy and practice of the martial arts.
  • Short commentaries provide invaluable insights from those who knew Bruce Lee well including his widow Linda Lee, his daughter Shannon Lee, Diana Lee Inosanto (daughter of Bruce Lee’s close friend and disciple, the ever popular Dan Inosanto), Yori Nakamura and Richard S. Bustillo.

HOW TAO OF JEET KUNE DO MAKES YOU BETTER A  MARTIAL ARTIST

The Tao of Jeet Kune Do will not turn you into an overnight martial arts master. As Bruce Lee himself pointed out, “the martial arts are based upon understanding, hard work and a total comprehension of skills. Power training and the use of force are easy, but total comprehension of all of the skills of the martial arts is very difficult to achieve.”

Yes, Bruce Lee’s private notebooks will teach you the basic concepts and principles behind the art of Jeet Kune Do.
But it will teach you so much more.

“The Tao of Jeet Kune Do has no real ending. It serves,” as editor Gilbert L. Johnson observes, “instead as a beginning.”

THE TAO OF JEET KUNE DO: A STATE OF MIND

The Tao of Jeet Kune Do will teach you why mindset is just as important as technique, why philosophy without practice is useless and practice without philosophy is blind. JKD is ultimately a way of thinking not just about the martial arts but about life as a whole. It is not a mere compilation of techniques but a path to self-development and personal growth. Yes, it is about bujutsu but even more importantly about budo.

Jeet Kune Do is the enlightenment. It is a way of life, a movement toward willpower and control, though it ought to be enlightened by intuition.

Bruce Lee brought philosophical depth and breadth of vision to the martial arts. He roused martial artists from their dogmatic slumbers and blind adherence to empty traditions.

He read widely. He knew his Confucius, Lao Tzu and Buddha. He read widely in modern and contemporary philosophers such as Spinoza and Krishnamurti. He reflected carefully on what he read and made it his own. His philosophy and his practice of the martial arts formed an integral whole.

Like the notebooks of Aristotle, Leonardo DaVinci and Nietzsche, Bruce Lee’s notes will always be subject to interpretation and reinterpretation and even misinterpretation.

So, too, the writings of martial arts masters like Miyamoto Musashi and Sun Tzu.

As Gilbert L. Johnson points out, “There is no right way to read the Tao of Jeet Kune Do. The divisions of the books are meant only to facilitate, not dictate, understanding the message of the book.”

Linda Lee, makes a similar point when she says the Tao of Jeet Kune Do was intended to be “a record of one man’s way of thinking and as a guide, not a set of instructions.”

The bottom line?

There will never be a definitive, once-and-for-all interpretation of any of the Tao of Jeet Kune Do.

It is hard to imagine that Bruce Lee would have wanted it any other way.

WHY EVERYONE SHOULD READ THE TAO OF JEET KUNE DO

If you are a veteran adult martial artist, then you already know why every martial artist should read the Tao of Jeet Kune Do. Precisely because there will never be a definitive interpretation, Bruce Lee’s work will serve to refresh and reinvigorate your martial arts perspective and practice.

If you are beginning adult martial artist, then Tao of Jeet Kune Do is even more of a must read. The sooner you read it, the better a martial artist you will be. You’ll find it will help to separate the wheat from the chaff when it comes to martial arts and self-defense training.

Wherever you are in the martial arts community, whatever your martial passion, you want to get your copy of the expanded edition of Bruce Lee’s Tao of Jeet Kune Do.

And, don’t forget…

Absorb what is useful, discard the rest.

Jean Jacques Machado’s The Grappler’s Handbook Vol.2: Tactics for Defense

If you want to learn the best submission escapes around from the world’s greatest teacher of grappling, then you owe it to yourself to get a copy of  Jean Jacques Machado’s The Grappler’s Handbook Vol. 2: Tactics for Defense (Black Belt Books 2011; softcover; $26.95). The Grappler’s Handbook Vol. 2 demonstrates yet again why the best offense is a good defense.

Mastering solid defense skills in grappling requires dedication and a willingness to invest the required blood, sweat and tears. In addition, you have to be willing to confront your martial weaknesses and vulnerabilities. The effort, however, is well worth it.

If you’re up for the challenge, you’ll find the results transformational.

Brazilian jiu-jitsu, says Machado, will challenge not only your body but also your mind. Yes, it will make you physically stronger and more agile. Yes, it will toughen you. But serious BJJ practitioners discover that their mental resolve greatly improves not only on but also off the mat.

“It is often said the best defense is a good offense. While this statement is certainly true, you should not overlook the fact that developing a solid defense is an integral part of your overall foundation…When you understand what you must do to defend yourself, you will also understand what you need to do offensively to prevent your opponent from applying those defense techniques against you.”

How to Become a Better Grappler

Machado’s approach forces you to let yourself be placed in the worst-possible ground situations and methodically learn how to escape from them. You will learn how to defend against virtually any submission hold you will encounter.
[Read more...]

The Ultimate Guide to Martial Arts Movies of the 1970s

The Ultimate Guide to Martial Arts Movies of the 1970s: 500+ films Loaded with Action, Weapons and Warriors by Dr. Craig Reid is far more than a mere list of martial arts films or movie reviews.  Irresistibly entertaining and informative, The Ultimate Guide is instead a critical and scholarly tour de force that explores the significance and impact of what is arguably the golden age of martial arts cinema. Once you start reading it, it becomes increasingly hard to put down.

What makes The Ultimate Guide so enjoyably readable are what Dr. Reid calls martialologies.

A martialology, he says, is an exploration of a film down to “its anatomical components; plot, actors, fight choreography secrets, tidbits of ‘I didn’t know that’ cool information, and discussions on comparing the reel and real histories of the story characters, and various martial art styles.”

Do you know which James Bond movie introduced a little-known martial art to Western audiences? The behind-the-scenes story of Bruce Lee’s Game of Death? The bloopers in Enter the Dragon? Why Killer Elite is unique among martial arts flicks? The somber social relevance of the Billy Jack films? Which Chuck Norris classic was released in what country as The Bulldozer?

The Ultimate Guide has the answers to all of these and much, much more.

Accompanied by dozens of color photographs that artfully depict the dynamism of these films, the concise analyses offer a wealth of insights as they capture the imagination. They resurrect an era that for many has faded into the haze of history—an era that Dr. Reid thinks still has much to teach us.

The martialologies thus underscore a key thesis of The Ultimate Guide:

“The two most important things about martial arts,” writes Dr. Reid “are that a person should practice martial arts not to fight and that a person should learn to use martial arts to help rather than hurt. Over the decades, both these virtues in martial arts films and martial arts schools are slowly disappearing. But one of the beauties of the films of the 1970s is that these martial ideals come through loud and clear.”

Dr. Reid brings the passion of a martial arts enthusiast with the academic discipline of a scholar to his subject. His love of his subject manifests itself on each page. The writing is clear and succinct. His research is thorough; his attention to cinematic detail breathtaking. One is hard-pressed to think of any film of note that he has overlooked.

The Ultimate Guide to Martial Arts Movies of the 70s has the unique virtue of at once being an encyclopedia and a page-turner. It deserves a wide readership. Dr. Reid’s book will prove to be an invaluable guide not only to martial artists regardless of their age or styles, but also to cultural critics and scholars of pop culture seeking to deepen their understanding of the importance and impact of the martial arts on contemporary culture.

Miyamoto Musashi on 2 Ways to Be a Better Martial Artist

Miyamoto Musashi on 2 Ways to Be a Better Martial Artist

Miyamoto Musashi’s The Book of Five Rings can improve the self-defense training of any adult martial artist. It is a gold mine for students of combatives as well as of the traditional martial arts. Diligent study of The Book of Five Rings reaps rich rewards for serious adult martial artists even beyond the realm of martial arts.

Musashi makes clear that there is no easy way to achieve excellence in the martial arts. Training and discipline are essential. Equally important is proper mindset.

A Well-Rounded Martial Arts Education Paves the Path to Victory

Musashi knew that it was important to familiarize yourself with other martial arts styles. Without an understanding of what different martial arts styles could bring to the battle, Musashi said, you could not understand his own unique style of Niten-Ichi-Ryu.

It is essential to understand the weapons your opponent brings to the conflict even if it is only his bare hands. It is essential to know the kinds of techniques and tactics he may launch against you and to know how to counter them.

It’s not enough to learn one aspect of the martial arts. Just knowing how to box or kick or wrestle is not enough. Nor is it enough to know merely how to defend against a boxer, karateka, or wrestler.

In short, cross-training is crucial.

An Open Mind: The Deadliest of Weapons

Musashi recognized that each style of swordsmanship had its limitations as well as advantages. “In my Niten-Ichi-ryu, it is considered taboo to become bigoted and narrow-minded. Study this matter well.”

Martial arts styles and schools change over the course of time. Each individual brings his or her own unique interpretation to them. Some techniques achieve prominence for a time; others recede into the background. There is no one right martial art for all time and in all circumstances that ensures victory against violence.

This is one more reason not to badmouth styles. A particular martial arts style as embodied in one practitioner may indeed be useless. In the hands of an adept practitioner, the style may prove to be more formidable than originally imagined.

Musashi would have agreed with Bruce Lee: Absorb what is useful, discard the rest.

And as Musashi would have said: Study these things well.

Hidy Ochiai’s A Way to Victory: The Annotated Book of Five Rings is the finest translation and commentary I’ve seen to date. It merits close study and I highly recommend you get a copy if you don’t already own one. (And I wouldn’t mind if you used my affiliate link below, either.)

 

Meditations on Violence: Self Defense Training and Real World Violence

Self-defense training often fails to achieve its goals because of the myths and illusions we harbor about self-defense and martial arts training in general.

Meditations on Violence: A Comparison of Martial Arts Training & Real World Violence by Sgt. Rory Miller (YMAA Publication Center) does an excellent job of dispelling those illusions and exposing many of the myths that cause martial arts training to go off course and crash against the rocks of real-time violence.

If you have any illusions about fighting, if you think a streetfight or worse is an exercise is swashbuckling romanticism, Meditations on Violence will disabuse you of them. Miller makes it plain that criminal assault is about shock and fear, pain and horror, debilitation and death. The street awards no trophies. If you win, you get to live another day. If you lose, you may not. Or you may wish you had not.

Among the many topics about self-defense training Sgt. Miller—a veteran corrections officer with more than 30 years experience in the martial arts—discusses include:

How to Think About Violence

The assumptions about violence—and why they can get you killed. How to think in the “fog of war” or the chaos violence breeds.

The Nature of Predators

The kinds of predators. The continuum of violence. The essence of the criminal personality.

The Truth About Violence

The kinds of violence and the patterns through which they are expressed. The four basic truths of criminal assault. The context of violence.

Realistic Martial Arts Training

The dangerous flaw of training by rote. The strengths and limitations of kata. Dealing with the four basic truths of assault: “They are fast, hard, close, and with surprise,” says Miller

Martial Arts Schools: The Good, the Bad, and the Ugly

Self-defense training, says Miller, is not about fitness or spiritual growth or sport. All that is secondary. Too many martial arts schools try to do all of these things and yet too often achieve too little.  They exemplify the dangers inherent in the proverb warning against being a jack of all trades and a master of none. Martial arts schools are at their best when they focus on their primary mission which is to teach the arts of war, otherwise known as self-defense training.

There are also no silver bullets in martial arts training. There is no magical style to make you a wizard of the deadly arts. Miller advises that you make sure you know the purpose behind your styles, its limitations as well as its range of possibilities.

Making Physical Self-defense Training Work

The Golden Rule of Combat. The roles of initiative, permission, and situational awareness. The art of movement under duress.

••••

In the end, self-defense training does work against real-time criminals and, yes, reality-based martial arts training is a valuable asset to possess. Still, Miller’s approach to teaching the martial arts and self-defense training is uncompromisingly realistic:

“I can’t give promises or guarantees. I can’t give comfort with a clean conscience. What I give my students are percentage points, an edge. The most realistic picture I can of what they might face and the strategies that have worked for me over time.”

One can perhaps expect no more.

I own a copy of Meditations on Violence and I have no hesitation about recommending it to you as a valuable addition to your martial arts library (nor with your using my Amazon affiliate link below if you choose to do so).

 

 

Beyond Self-Defense: Training the Samurai Mind

Self defense training is one of the central themes of Adult Martial Artist, but there’s more to martial arts than just self-defense techniques or what the Japanese tradition refers to as bujutsu. To be sure, martial arts begin with self-defense training but it goes beyond self-defense and ultimately represents not only a philosophy but also expresses itself as a way of life.

Training the Samurai Mind (Shambhala Press) is worth careful reading because it takes us beyond bujutsu and into the realm of bushido, the Way of the Warrior Knight. Translated and edited by Thomas Cleary, one of the top translators of Asian martial arts texts,  Training the Samurai Mind is an anthology of writings about bushido as they have been handed down to us through the ages by warriors, scholars, educators, and political leaders.

“Culture is a different name for the path of humaneness; warriorhood is a different name for the path of justice. Because humanness and justice are a single virtue of human nature, culture and warriorhood are a single quality, not separate things.”
Nakae Toju (1608-1648)

Training the Samurai Mind provides page upon page of ethical and psychological insight into the mindset of these warrior-knights. It shows how the moral codes of Eastern religions profoundly influenced the character and goals of the samurai; how bushido integrated military strategy with character training; and how political leadership meshes with personal self-discipline.

“Intelligence, humaneness and courage are cultural and martial virtues; manners, music, archery, horsemanship, writing, and mathematics are cultural and martial arts.”
Kumazawa Banzan (1619-1691)

In sum, Training the Samurai Mind reminds us that there is more being an adult martial artist than just self-defense training or bujutsu as important as they are. Serious martial artists do their best to cultivate a broad array of moral and intellectual virtues with which to not only perfect themselves but also to be a credit to their families and community.

“If a knight neglects arms, he’s not worth talking about; if he neglects culture and doesn’t cultivate it, he does not fully qualify as a knight.”
Naganuma Muneyoshi (1635-1690)

Training the Samurai Mind is a good addition to any adult martial artist’s library. I have it in mine and I can wholeheartedly recommend it to you. (And if you want to use my affiliate link below to get it, that’s just fine by me, too.)

 

Self-Defense Training: The Three Legacies of Charles Nelson

Self-defense training and the world of the martial arts in general would have been greatly impoverished had Charles Nelson left no legacy behind him.

Fortunately, Charles Nelson left three legacies no adult martial artist should overlook.

The First Legacy

First, Charles Nelson left two invaluable (if all too short) books on his self defense training program. One is simply entitled Self-Defense . The other is Charles Nelson’s School Of Self-defense: The Red and Gray Manuals

The meteoric advances of multimedia may make these two manuals seem quaint, but they still deserve careful study. (Carl Cestari’s foreword in The Red and Gray Manuals is worth the price alone as is Paul Gerasimczyk’s in Self-Defense.)

What Will You Learn?

Although having a competent teacher to instruct you is always a huge advantage in any kind of training, you can start to get a pretty good feel for these techniques without too much difficulty. Of course, you’ll need a friend to train with, but that shouldn’t be too hard unless you’re living alone in a cave in Tora Bora.

The self-defense techniques illustrated in these pages consist mostly of unarmed defenses against unarmed attacks and weapons. They are simple and straightforward. There is a total lack of pretentiousness or flash. They serve as a reminder that practical self-defense training does not require decades of study to be effective. Remember, you don’t want thousands of techniques but rather a modicum of core techniques that can be adapted to a wide variety of self-defense situations. Ten thousand techniques can get you killed.

In short, they underscore the principle that, when it comes to asocial violence, simpler is better.

The Second Legacy

Charles Nelson left a second legacy: His students. If you want to learn more about the martial arts tradition he left behind, then you owe it to yourself to pay attention to some of his most prominent students such as Kelly McCann, Carl Cestari, Geoff “Tank” Todd, Bradley J. Steiner.

Here is Kelly McCann in action:

 

As well as the late Carl Cestari:

 

The Third Legacy

Lastly, in his seniority Charles Nelson left a number of videos as his final legacy. They are a part of Robert Spiegel’s Charles Nelson Self Defense System course. (But you can also see them on YouTube as well. Although they were taken when Nelson was past his prime and suffering from Parkinson’s disease, they nevertheless demonstrate his martial arts expertise. Here’s a sample:

 

Serious adult martial artists who think first and foremost about self-defense owe it pay each of these legacies careful attention.

Train hard, live well.

 

Charles Nelson: Grandmaster of American Self-Defense Training

So who exactly was Charles Nelson?

THE MAKING OF A WARRIOR

First of all, he was a United States Marine and, as for so many others, his tenure as a Marine would prove to be the defining moment in his life. It was in the Marines that he met Colonel Anthony Drexel Biddle.

Colonel Biddle was an extraordinary person by anyone’s measure. An expert in Close Quarters Combat (CQB), he trained the Marines and the FBI in hand-to-hand combat. He persuaded the Marine Corps to introduce boxing into its training. Renowned for the intensity of his training, he would challenge Marines with their bayonets to attack him unarmed. He also formed a movement known as Athletic Christianity, which at its peak could boast a membership of approximately 300,000.

Colonel Biddle training US Marines, Parris Island, 1942

He was no intellectual slouch either: He held a degree from the prestigious University of Heidelberg in Germany. He was a colorful and inspiring example of that all too often neglected of the gentlemen-warrior, a tradition that hearkens back centuries to, among others, the ancient philosopher Plato in the West and the Samurai and Sun Bi warriors in the ancient East.

Nelson encountered the Colonel by chance one day as the latter was training FBI agents at Quantico, Virginia. Biddle invited the young nineteen-year old to join the class. The hand-to-hand combat techniques and mindset Nelson would learn went far beyond the boxing lessons he had learned at the orphanage. Nelson had chanced upon more than a mere métier. He had found his lifelong calling.

Nelson’s passion CQB training led him to train with a Sergeant Patrick Kelly. Kelly trained with Dermot Michael O’ Neil who had served with the Shanghai Police. The ports of Shanghai were hotbeds of criminal violence and made for an ample testing ground in the finer points of unarmed self-defense. O’Neil later served as a CQB instructor with the legendary William Fairbairn as part of the Office of Strategic Services’ CQB program. (Fairbairn had also served on the Shanghai Police Force, nearly losing his life in a beating dished out by Chinese gang members. He responded by developing one of the most powerful self-defense training programs ever devised.)

If that wasn’t enough training to enable one to survive virtually any street-fight or battlefield encounter, Nelson was briefly a bunkmate in the Marines with John Styers. Styers, as savvy self-defense training students know, is the author of Cold Steel, a classical manual on weapons self-defense training.

In 1942, Nelson found himself with the First Marine Division and embroiled in the legendary Guadalcanal Campaign. There he came face to face with the fragility of human life as the specter of Death passed over him. That experience would teach him to be fearless.

At the World War Two’s end, he returned to New York City with his wife, bounced from one seemingly unsatisfying job to another, and finally set up his self-defense studio in his apartment and over time he established himself as a grandmaster of self-defense training. To this day, he remains a legend in the eyes of experts who know what real self-defense training is about.

Or, to put it another way, those who know the difference between genuine martial arts and sham martial arts.

WHAT CHARLES NELSON’S LIFE CAN TEACH YOU AS A MARTIAL ARTIST

Notice the similarities between Charles Nelson, W. Hoch Hochheim and Kelly McCann. They all have a military or law-enforcement background directly relevant to self-defense training. Their credentials are more or less easily verifiable. Their authority as martial artists and self-defense training experts is grounded in sustained real-time experience with violence. Their curricula vitae are not simply a fistful of black belts awarded and a laundry list of trophies won.

Notice also that there is no mysticism involved in their self-defense training. None of that annoying mystique-of-the-ancient-Orient pretense that infects so many wannabe martial arts instructors.

Instead, their training programs are simple, straightforward, and brutally effective. And because they are rooted in reality they work.

That’s what beginning martial artists or even experience martial artists who feel that something is missing in their training should be on the lookout for as they pursue their self-defense training or martial arts training in general.

What’s next?

The Red and Gray Manuals.

And how they can make you a better martial artist.

 

 

 

 

 

 

So who exactly was Charles Nelson?

 

THE MAKING OF A WARRIOR

 

First of all, he was a United States Marine and, as for so many others, his tenure as a Marine would prove to be the defining moment in his life. It was in the Marines that he met Colonel Anthony Drexel Biddle.

 

Colonel Biddle was an extraordinary person by any man’s measure. An expert in Close Quarters Combat (CQB), he trained the Marines and the FBI in hand-to-hand combat. He persuaded the Marine Corps to introduce boxing into its training. Renowned for the intensity of his training, he would challenge Marines with their bayonets to attack him unarmed. He also formed a movement known as Athletic Christianity, which at its peak could boast a membership of approximately 300,000.

 

He was no intellectual slouch either: He held a degree from the prestigious University of Heidelberg in Germany. He was a colorful and inspiring example of that all too often neglected of the gentlemen-warrior, a tradition that hearkens back centuries to, among others, the ancient philosopher Plato in the West and the Samurai and Sun Bi warriors in the ancient East.

 

Nelson encountered the Colonel by chance one day as the latter was training FBI agents at Quantico, Virginia. Biddle invited the young nineteen-year old to join the class. The hand-to-hand combat techniques and mindset Nelson would learn went far beyond the boxing lessons he had learned at the orphanage. Nelson had chanced upon more than a mere métier. He had found his lifelong calling.

 

Nelson’s passion CQB training led him to train with a Sergeant Patrick Kelly. Kelly trained with Dermot Michael O’ Neil who had served with the Shanghai Police. The ports of Shanghai were hotbeds of criminal violence and made for an ample testing ground in the finer points of unarmed self-defense. O’Neil later served as a CQB instructor with the legendary William Fairbairn as part of the Office of Strategic Services’ CQB program. (Fairbairn had also served on the Shanghai Police Force, nearly losing his life in a beating dished out by Chinese gang members. He responded by developing one of the most powerful self-defense training programs ever devised.)

 

If that wasn’t enough training to enable one to survive virtually any street-fight or battlefield encounter, Nelson was briefly a bunkmate in the Marines with John Styers. Styers, as self-defense training students may know, is the author of Cold Steel, a classical manual on weapons self-defense training. http://judoinfo.com/pdf/Combat.pdf

 

In 1942, Nelson found himself with the First Marine Division and embroiled in the legendary Guadalcanal Campaign. There he came face to face with the fragility of human life as the specter of Death passed over him. That experience would teach him to be fearless.

 

At the World War Two’s end, he returned to New York City with his wife, bounced from one seemingly unsatisfying job to another, and finally set up his self-defense studio in his apartment and over time he established himself as a grandmaster of self-defense training. To this day, he remains a legend in the eyes of experts who know what real self-defense training is about.

 

Or, to put it another way, those who know the difference between genuine martial arts and sham martial arts.

 

WHAT CHARLES NELSON’S LIFE CAN TEACH YOU AS A MARTIAL ARTIST

 

Notice the similarities between Charles Nelson, W. Hoch Hochheim and Kelly McCann. They all have a military or law-enforcement background directly relevant to self-defense training. Their credentials are more or less easily verifiable. Their authority as martial artists and self-defense training experts is grounded in sustained real-time experience with violence. Their curricula vitae are not simply a list of black belts earned and trophies won.

 

Notice also that there is no mysticism involved in their self-defense training. None of that annoying mystique-of-the-ancient-Orient pretense that infects so many wannabe martial arts instructors.

 

Instead, their training programs are simple, straightforward, and brutally effective. And because they are rooted in reality they work.

 

That’s what beginning martial artists or even experience martial artists who feel that something is missing in their training should be on the lookout for as they pursue their self-defense training or martial arts training in general.

 

What’s next?

 

The Red and Gray Manuals.

 

And how they can make you a better martial artist.

 

 

 

How An Old Guy Defeated Men Half His Age (And Made It Look Easy)

Self-defense experts made pilgrimages to his studio.  Major self-defense instructors and martial artists like Carl Cestari, Brad Steiner, Professor “Vee” Visitacion and Bob Kasper traveled to learn what the studio’s owner had to teach.

Charles Nelson was his name. Except for those truly committed to self-defense training, he is largely unknown among most martial arts circles. That is a shame because Charles Nelson even in his declining years knew more about self-defense training than most black belts from commercial schools could ever hope to know.

To make a confession, one of my true regrets in my pursuit of the martial arts is that I never made the pilgrimage to Charles Nelson’s School of Self Defense.

I had seen his advertisement in the Yellow Pages in the 70’s. It was a modest, unassuming ad featuring a cobra and a mongoose circumscribed within a circle. “What kind of mandala is that?” I wondered. The headline simply said Charles Nelson’s School of Defense and gave its address. Nothing more.

I was living on the Upper East Side and Queens during those years and making the trip across town was inconvenient. Worse, I was still bewitched by the mystique of the Asian martial arts. I wanted a black belt. Like so many others, I had invested the concept of the black belt with a near-mystical aura of invincibility. I was still looking for some Korean or Japanese grandmaster who would bestow upon me the esoteric secrets of self-defense as I undertook the journey to become a black belt. Charles Nelson’s school, if I recall correctly, had no belt ranking system.

It seemed all too pedestrian for a young man harboring grandiose (indeed, quasi-delusional) thoughts about self-defense. Alas.

Fool that I was I never made the trip to his studio. I still kick myself for not doing so.

So what, anyhow, was Charles Nelson’s secret?

What made law-enforcement officers, soldiers and sailors, celebrities and working-class guys and gals alike flock to his studio?

I’ll give up the answer in tomorrow’s post.

What Can Sculling Teach Adult Martial Artists?

Adult martial artists in search of inspiration for their pursuit of the martial arts and self-defense training should read Barry Strauss’ Rowing Against the Current: On Learning to Scull at Forty

Barry Strauss is a professor of classics and history at Cornell University. (Military history buffs ought to take a look at his The Trojan War: A New History or The Battle of Salamis: The Naval Encounter that Saved Greece — and Western Civilization.)

Professor Strauss strikes you as your typical mild-mannered academic. Growing up, he is your quintessential bookworm. He is by his own admission anything but naturally athletic and he suffered the indignities that many of us suffered in our schoolyards’ playing fields:

In Little League days my only philosophical question about coaches was how best to avoid them. The Little League dads who coached our team had no time for me, a klutz who was afraid of the ball, so they put me in the outfield and they left me there. I returned the compliment.

But is Professor Strauss doomed for eternity to wander about the ivory towers of academia with its dusty archives and cerebral disdain for the body?

No.

At 40-something, he decided to take up the art of competitive rowing. He discovers that he grows physically and emotionally more powerful from his newfound passion: “The oars gave me power but they also taught me humility.”

Rather sounds like learning martial arts, doesn’t it?

Along the way, he finds himself facing up to some tough truths about himself:

Learning how to row at forty is a test. It’s an audit of achievement and disappointment, both of which there has been plenty of since leaving college. It’s about a second chance at something simple and verifiable. It’s about reconcentrating and refocusing. So much of my career seems to me, in retrospect, to have been a process of retreat, hiding, avoidance of the big tests, causes in equal parts by diffidence, fear of failure, and laziness.

Following Professor Strauss as he readies for the Day of the Big Race is an intense and enjoyable experience. His ability to blend the moral wisdom his classical learning has imparted to him through the years with the tough physical challenges the art of rowing imposes makes for solid, enjoyable reading.

Three of the many excellences of this book will prove particularly relevant to adult martial artists:

  • The importance of finding a good teacher or coach
  • The idea of physical education as a part of a liberal education. Plato and Aristotle understood this and incorporated physical training into their educational programs. Cicero, of course, summed it up famously as a sound mind in a sound body.
  • The importance of determination in the face of self-doubt

Indeed, the moment of Professor Strauss’ Big Race reminded me of my first black belt examination: A time of apprehension wherein a lifelong battle between determination and fear were about to have a final showdown within the four walls of a dojang—and within a dark intersection of my psyche.

Adult martial artists will find much to appreciate in Barry Strauss’ Rowing Against the Current: On Learning to Scull at Forty regardless of whether their passion is traditional martial arts or self-defense training. This is no sentimental memoir, but an odyssey the ancient Homeric warriors would have applauded.